This
is a book that inspired so many questions in me. More questions than answers,
but as I have said, this often makes for the best of books—texts that make us
wonder stir something in us that books which only make us marvel cannot.
These
prose poems vary in many ways, though there is a consistent voice throughout. I
wondered many things, including: Is this small book a social commentary for the
current political climate? Or is it a love story regarding the “union” of two
lovers? Could it be both? Indeed, a “she and a “he” is present here. Are there
multiple storylines; speakers; address circuits? In lines like, “…’Til the next
something about our society fails us. We shouldn’t like to boast of what shackles
us…” or “Bite down, he repeated,
unable to stop foaming at the mouth, meaning to imply something about the
government, the nature of privacy, and metaphysics in an intertextual world…” I
tended to think that the book was largely a social commentary, and then I read
poems like “This Time I Promise” or “He Said, She Said” and I thought love
story.
This
book employs pithy, sharp language and word-play; sophisticated vocabulary, and
well-placed similes. Thoughtful titles lead into the poems, and even some humor
find its way in. There is rhyme and rhythm here, though much of the book is reminiscent
of language poetry. Many insights and realizations exist here. I love lines
like, “No thanks to our piddly rituals—like that mourning shower, the like of
which can never cleanse our stubborn sorrows.” Or, “…This is how the perfect
human separates. Dressed for the age, addressed by the sage & drenched in
rage, with no end of questions. This is why the perfect human tries again.”
With
lines like these, we see that though the book is largely serious and somewhat melancholy
in tone, it has its moments of light and lightness, which I think most books
need to be successful.
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